Description

Catalogue d'une exposition organisée à la galerie de la Cour d'Ingres du 27 février au 20 mars 1959.

Édition originale.

Catalogue orné d'un motif par l'artiste, d'un portrait photographique ; agrémenté d'une préface de Breton et complété par une liste des 25 sculptures exposées, avec leur date d'exécution. [site André Breton, 2019]

 

Bibliography

André Breton (Édition publiée sous la direction d'Étienne-Alain Hubert avec la collaboration de Philippe Bernier et Marie-Claire Dumas), « Agustín Cárdenas », Le Surréalisme et la Peinture, Œuvres complètes, tome IV, Écrits sur l'art et autres textes, Bibliothèque de la Pléiade, Paris, Gallimard, 2008, pages 738-739, notice et notes p. 1360-1361.

 

Notice Worldcat

Bibliographical material	Paris, La cour d'Ingres, 1959, in-8°, reproduction
Date of publication	1961
Publication	first publication
Languages	French
Size	18,00 x 25,00 cm
Illustrations	1 portrait de l'artiste dans son atelier, 1 reproduction
Number of pages	6
Publisher	La Cour d'Ingres
Reference	1517000
Breton Auction, 2003	Lot 238
Keywords	Graphic Arts, Exhibitions, Sculpture
Set	[Breton's Manuscripts and Drawings] dossier Le Surréalisme et la peinture
Exhibition	Cárdenas
Permanent link	https://cms.andrebreton.fr/en/work/56600101000333

See also

Description

Handwritten text by André Breton about Cárdenas, dated 11 February, 1959.

The ‘hand’ of Rimbaldian memory, that of technical progress obscuring consciousness of the ‘manual centuries’, can be used for other ends than useful work and production. In this preface for an exhibition of Cuban sculptor Cárdenas (at the Galerie La Cour d'Ingres, February-March 1959), Breton finds a revolutionary vein, linking work of stone and metal to more social problems in a way that had become rare in his texts since the end of the 1930s. ‘Perforating and enjoying’, the hand of Cárdenas’s hand is ‘perforator and pleasure-seeker’ realises the overcoming of the worker’s alienation in its original way - not by revolution, but by enjoyment. The text was included in the final edition of Surrealism and Painting in 1965 [p 323 in the English language edition]. [Atelier André Breton website, 2005]

Hand-written manuscript signed, 11 February 1959.
- 1/2 page in-4° handwritten, titled, dated and signed in ink first draft of Breton’s text dedicated to the sculpture of Augustín Cárdenas:
‘However adroit it may be - like a dragonfly - the hand of Cardenas ensures our happiness by remaining at this highly privileged level of development... the great blossoming totem which outlines the curves of a beauty queen’s waist better than a saxophone.’ [sale catalogue, 2003]

*This entry was translated from the French by Michael Richardson.

Bibliography

André Breton (Édition publiée sous la direction d'Étienne-Alain Hubert avec la collaboration de Philippe Bernier et Marie-Claire Dumas), « Agustín Cárdenas », Le Surréalisme et la Peinture, Œuvres complètes, tome IV, Écrits sur l'art et autres textes, Bibliothèque de la Pléiade, Paris, Gallimard, 2008, pages 738-739, notice et notes p. 1360-1361.

 

Creation date	11-févr.-59
Bibliographical material	1 page in-4°
Languages	French
Physical description	Ms - encre noire
Number of pages	1
Reference	705000
Breton Auction, 2003	Lot 2465
Keywords	Exhibitions, Work notes, Sculpture
Categories	Andre Breton's Manuscripts
Set	[Breton's Manuscripts and Drawings] dossier Le Surréalisme et la peinture
Exhibition	Cárdenas
Permanent link	https://cms.andrebreton.fr/en/work/56600100197840

See also